Cuphead is a classic run and gun action game heavily focused on boss battles. Inspired by cartoons of the 1930s, the visuals and audio are painstakingly created with the same techniques of the era. From traditional hand drawn cel animation, watercolor backgrounds, and original jazz recordings, Cuphead takes you back in time!
Thinking about picking up Cuphead but not sure if it’s worth the investment? We’ve been streaming the game on our Twitch channel! While we didn’t get a perfect run on any of the bosses, enjoy a cut-down Twitch recording of all the bosses and fun events from the intro of Cuphead through the end of World 1.
Subscribe to our YouTube channel for more game play videos and don’t forget to follow our Twitch channel for more livestreams! Be sure to check back at Sub Cultured for more!
Looking for more spoopy games to add to your Halloween To-Beat list? Look no further than Nightmare Boy, an action-adventure platformer with a retro feel and 90’s arcade visuals, the main strong points from Madrid dev’s own Metroidvania.
The Vanir Project developers are putting the final touches on its first creation, Nightmare Boy, for release later this month. Join Billy, turned into the mysterious Rolok, and fight to wake up from your worst dream: a world of nightmare made up by your fears and the worst dreams from another ten kids, also trapped in that world.
Fight all kind of enemies, recover Billy’s original appearance and rescue the ten kids lost in their own nightamres; each one of them will give you new powers and will help you unveil different endings for the game.
- Classic mechanics and playability that joins roaming, adventure and platforms.
- Upgradeable character after defeating each final boss: double and triple jump, different magic attacks…
- Graphic engine that mixes pixel art and cartoon characters, hand drawn, giving the game a 90’s arcade feeling.
- Saving system based on collected jewels in the game. The more you save, the more expensive it gets.
- Dark atmosphere, shady storyline; can you discover what lies beneath?
Nightmare Boy mixes pixel art and cartoon visuals, has complex Metroidvania game mechanics, big environments full of secrets, enemies and final bosses. Also, it hides a dark story beneath the surface and the player will be the one unveiling it.
Nightmare Boy will be available in digital format for PlayStation 4, Xbox One and PC (via Steam) on October 25th.
Well, it’s finally October, the season of cooler weather, colorful trees and pumpkin spice. It’s also the time to watch scary movies in the lead up to Halloween, and there’s no shortage of choices when it comes to horror. But with all of the Freddys and Jasons and Sammi Currs out there, is there room in a Halloween movie marathon for a film that doesn’t contain buckets of blood? If Good Day is any indication, the answer to that is “yes.”
I first got the chance to see Good Day at the Kew Gardens Festival of Cinema in Queens, NY. I was invited to the screening by the movie’s director, Louie Cortes, and felt compelled to check it out. I’d only seen the trailer for the film and really didn’t know too much about it before I went in. What I saw, however, was much different than I imagined.
Written by Christine Clark and Cortes, Good Day follows the lives of six twenty-somethings in New York City. Much like Pulp Fiction and 2 Days In the Valley, their paths intersect in some meaningful way as they all converge on the same Halloween party. Unlike Pulp Fiction and 2 Days In the Valley, Good Day is a wholesome yet funny look at the gamut of emotions they’re struggling with. Depression, loneliness, loss of a family member, and the fear of a stagnating career. All of these themes are relatable to the audience, which makes the characters feel like real people. They express their emotions and feelings, sometimes in overly verbose ways, but at the end of it, viewers can easily understand their plight.
The film does all of this in a highly engaging and hilarious way. This was probably the most surprising thing about the movie because there isn’t the slightest hint of comedy in the trailer. Watching that, I assumed Good Day was a coming of age melodrama that happened to be set around Halloween. To be fair, though, that trailer was cut well as it didn’t set any expectations for the humor and may have worked in its favor as Good Day was recently nominated for “Best Comedy Feature” at the Alternative Film Festival.
Though the film didn’t win “Best Comedy,” it did walk away with the award for “Best Cast,” which was most deserved. The cast was one of the finer parts of the film. Though Good Day featured no big name stars, most everyone has a great on-screen presence, despite the one or two stilted performances,
The film focuses on Sam M, played by Christopher Poultney. Sam has a strong self confidence which borderlines on arrogance and is forced to reevaluate himself after he meets a girl who doesn’t reciprocate the interest he feels. His storyline comes to a head when he meets Lisa (Kaelin Birkenhead). Lisa displays a hardened exterior to the world despite having a very caring heart. The audience learns this early in the film when Lisa is shaken to hear that her grandfather, whom she’d never had a relationship with, had died.
The film is rounded out with other great characters, such as Lydia, played by Samantha Quintana, a small-town girl who moved to New York for the right reasons but with the wrong motivation and is struggling to find her place. Then there’s Matt (Michael Ryan Assip), Sam’s best friend who dreams of becoming the next great horror movie writer a la George Romero but lacks the focus to finish a screenplay. Though his performance was rocky at first, Matt quickly became one of my favorite characters in the movie, helped along by Assip’s great comedic timing.
Good Day is not a perfect film, however. It is plagued by a number of technical issues, most notably the sound in some areas. A few of the shots feel cramped and claustrophobic, which is likely due to the indie nature of the movie and the need to shoot in any place that feels authentic regardless of size. These things are easy to overlook, though, through the director’s deft cinematography. Cortes has a way of framing his shots that’s simple yet intriguing and makes the movie fun to watch.
As of writing this, Good Day has yet to find a distributor, meaning that it’s unlikely to get a wide release, either in theaters or streaming. There is some good news, though. If you are local to New York, Good Day will be screened for free on October 23rd at the Queen’s Court in Astoria. The film will be shown alongside two surprise short films. The event is BYOB and candy will be supplied so if you’re interested, be sure to check out their Facebook page for more info.
Overall, Good Day is a poignant look at the real issues young people face and the ways in which they cope. It’s the kind of movie that can easily fit into an annual Halloween screening, a welcome break from the horror films and slasher flicks that most people watch every October. Hopefully Good Day will find a distribution deal soon so more people can enjoy it. Given its newly found status as an award winning film, the chances of that seem higher.
With Halloween around the corner, we dove into our closets and skimmed the surface of the internet to find quick and easy costumes to please all manner of costume and cosplay enthusiasts! Since we don’t want to be fashion victims or ensemble-y challenged this Halloween, our focus today is on the reigning queen of Beverly Hills in the 90s, Cher Horowitz from Clueless!
You don’t even need Cher’s Virtual Closet to put this look together.
We know, we know. Halloween stores came out with their own take on Cher Horowitz, called “Adult Fancy Girl School Girl Costume.” Vague, right? While the price tag is palatable at 44.99, the costume itself is a full-on Monet. It’s like a painting, see? From far away, it’s okay. But up close, it’s a big old mess.
Assembling something similar that looks better for a comparable price is the name of the game, so let’s start with staples that can be found in the back of your closet. Fish out a basic white top and black shoes of your choice, and you’re halfway there already! Wasn’t that easy? Set those aside for now, because the items that will make you identifiable as Cher are a bit more obscure and will require a wait on shipping, because to the internet we head! Luckily, we don’t have to delve very far, as most items can be purchased from Amazon, starting with a yellow plaid skirt. We couldn’t pass up another Amazon find, patent chunky heels with a clear strap that look like they were pulled straight from the pages of DELIA*S. A basic yellow cardigan and over-the-knee white socks complete the attire portion, so it’s time to assemble your items and move on to the more superficial segment.
Makeup wise, Alicia Silverstone’s eyebrows stole the show as a dark contrast to her bleached blonde hair. Any eyebrow pencil or pomeade will do, however we are partial to Anastasia’s Brow Wiz and NYX Micro Brow Pencil. Pair the strong brow with a dusting of light pink blush, a swipe of mascara, and a mauve-y lip and you’re only missing the iconic hair, so back to Amazon we go for a light blonde wig in a straight, middle parted style.
Besides her bubbly demeanor, the key to portraying Cher Horowitz is leaning into the quintessential slang of the 90s. Adopting terms like “As if,” “Totally buggin’,” and “Whatever,” will take this costume to Clueless, so long as you make a W shape with your fingers when you say it. Throw in the brick cell phones reserved for only the cool kids and a pom pen and you’re ready to roll with the homies. No? Okay, I’m done here.
Planning on making this costume? Doing some other DIY awesome? Want to check out the rest of our Halloween Costumes From Your Closet ideas? Show me all your spook-tacular creations with the hashtag #SCaryMonth on Twitter and Instagram!
Recently, I was asked to write an advance review for a forthcoming science fiction novel from a small press. I jumped at the opportunity to read the book before fully contemplating if it would be worth the time. Smaller presses are always a gamble in terms of quality, both with the writing and the printing, so for all I knew I was in for a terrible reading experience. I decided to plow through with the review anyway and soon found Leech Girl Lives by Rick Claypool and Spaceboy Books in my inbox. So, were my fears justified or was Leech Girl Lives worth the effort of a read through?
Leech Girl Lives takes place in a dystopian future where the majority of humanity has died out and what’s left live in a domed city called the Bublinaplex. While the Bublinaplex is surrounded by a “Fungus Wasteland” filled with large, horrendous and terrifying creatures, the people have managed to build a pretty stable world which is overly concerned with safety. This is where our protagonist comes in.
Margo Chicago is an Art Safety Inspector who investigates all works of art put on display to ensure that the artwork doesn’t hurt anyone. She has a fairly important job because the denizens of the Bublinaplex are all encouraged to work on some sort of “creative pursuit.” Some of these are worthwhile, like painting and singing while others, like Margo’s desire to crochet cats, are a little offbeat. Others still are just asinine, like Margo’s boss and his creativity in stringing nonsense words together in everyday conversations.
Due to a freak accident, Margo gets a pair of giant parasitic leeches attached to her arms. The leeches slowly eat away at her flesh and, through their symbiotic nature, become her new arms. It’s a unique concept. Although it sounded strange at first and had me questioning what kind of book I was reading, eventually the idea settled in and just flowed with the narrative. I wouldn’t have imagined that I’d enjoy a concept like that but I surely did.
Leech Girl Lives is author Rick Claypool’s first novel and that’s fairly evident in the way the book is written. Claypool builds his world and presents his novel using simple prose, which I liked. Lots of science fiction authors use long, flourishing prose and convoluted sentence structure that may sound pretty but can be confusing when trying to build an in-depth world. Claypool shirks that and just lays everything out on the table in easy bits for the layman. Whether this was intentional or just a byproduct of not finding his unique voice yet, I’m not entirely sure but the move worked in this instance.
One move that was intentional was the way Claypool split the chapters for the first third of the book. Each chapter vacillates between “Earlier” and “Later,” clearly delineating two different time periods. It’s an effective strategy that made the story more enticing; each time I finished one section, I wanted to find out what happened next but I had to read through a different section that piqued my interest just as much. Unfortunately, once the two sections converge, the story runs somewhat flat. It managed to remain interesting, but it lacked the oomph of the previous section.
The novel is also split into two distinct books, named Book One and Book Two. While I enjoyed Leech Girl Lives in its entirety, I did start to feel weighed down by the time I got to Book Two. It’s not that the second part wasn’t good; it’s just that I’d become burned out by the time I got there. I’d already gone through an entire adventure with Margo and her leech arms so to be thrown into another one right away was exhausting. I would have preferred if Leech Girl Lives ended at the first ending, with Book Two comprising an actual second book.
Doing so would have also allowed Claypool to expand on some of the themes he brings up in Book Two. While Book One dealt with the idea of stifling expression through the Art Safety’s mission to have artists alter any work they deem unsafe, Book Two explores the idea of a corporate run state as well as the division between the rich and the poor. By day, Rick Claypool is an activist who works with an organization that fights corporate power so if there would be anyone who can successfully integrate the dangers of a corporate state taking power in a silly little sci fi book, it’d be him. The way he breaks down the company’s rise to power makes us believe that the city would accept the corporate power, but everything that happens in Book Two happens so fast that it almost comes off as hokey despite the gravity of the theme. Claypool spends too much time focusing on scenes that don’t have much of an impact while breezing through others that are far more interesting. Characters speak in awkward, unnatural ways and the action doesn’t serve the plot but merely acts to hasten the transition to the next scene. I would have enjoyed it more if he slowed down and delved further into this new world he’s introduced. Allowed us to get to know a few of the newer characters better and see why they do what they do and how the corporation changed them from their previous lives.
The characterization is really the weakest part of Leech Girl Lives. Claypool focuses on Margo and spends a lot of time making sure she’s as fleshed out as possible, which is to be expected of the protagonist. Unfortunately he does this to the detriment of the supporting cast. Margo is surrounded by many unique and interesting people but they never feel whole. For example, Margo has a great relationship with her mentor, Cuthbert. Though we get a peak at Cuthbert’s home life, all we really know about him is he’s a great cook and he cries a lot. Even the book’s main protagonist, Lorcan Warhol, is a two-dimensional foil to Margo. Sure, his character takes an interesting twist during Book Two, but at a certain point he disappears and has no impact on the rest of the book. He had the makings of an interesting character but he’s flung off without a second thought.
I enjoyed Leech Girl Lives. The simple prose aside, the book played with some deep sociological themes and really dived into the darker aspects of society. Even the superficial nature of Margo’s affliction, forming a symbiotic relationship with a pair of parasitic leeches, was handled in a way that felt natural and believable. That’s not to say the book doesn’t have its flaws; in fact, there are quite a few of them, but they’re easily overshadowed by the depth of the symbolism. All in all, I’d recommend Leech Girl Lives if you’re looking for a fun adventure that doesn’t require too much brain power to really understand and enjoy.
Leech Girl Lives by Rick Claypool is available on September 26th from Spaceboy Books.
On Friday, Netflix dropped Death Note, a live-action film adaptation of the popular manga/anime of the same name. Since I was free for most of Sunday afternoon, with no plans besides counting down the hours until the seventh season finale of Game of Thrones, I figured I may as well check it out. After all, it was something I was looking forward to, despite the valid whitewashing criticism.
Before you read through my review, please keep in mind, I haven’t read the manga version of Death Note, nor watched a single episode of the anime series. I’m merely critiquing the Netflix movie on its own merits.
Also, while I’m not going to outright give away the ending, I do make references to certain plot points of the film, which may be spoilers for anyone who hasn’t seen it yet. So proceed with caution.
Death Note focuses on Light Turner, a smart high school kid who doesn’t seem to have any friends. His mother was recently killed, leaving just him and his cop father, a dynamic which causes a rift in their relationship. His mother’s killer walked away from the charges and Light doesn’t feel his father pursued the killer hard enough. One day, during a freak storm, Light finds a notebook, the Death Note, which grants the user the ability to kill anyone whose name is written on its pages. There are a bunch of rules associated with the Death Note but it all boils down to “killer notebook.”
Along with his girlfriend Mia, Light (I can’t believe this is the kid’s name) goes on a killing spree. They target bad guys and people who hurt others in an effort to “better the world.” In the process of their murders, they attribute the killings to a karma god of sorts, whom they name Kira, as a way to strike terror into the hearts of evil-doers.
The murders attract the attention of L, an eccentric detective who is fueled by candy and often forgets to sleep. Being a sugar addict seems like an odd character trait to give a prominent character so I assume that this was a carry-over from the source material, but it really seems out of place. The film tried to explain it with an off-hand remark about the “insulin rush” but the trait doesn’t seem natural. In a long form narrative, like the manga or the anime, a quirk like this can developed and also used as a detriment to the character, such as when he’s in a situation lacking sugar. The movie, however, just shoehorns it in with very little (if any) explanation, so it comes off as silly.
Then there’s Mia, Light’s girlfriend. She’s the guiding force in Light’s usage of the Death Note, a girl with a dark side that she hides from the rest of the world… except the movie makes the audience aware that she is the “bad girl” from the minute we first see her. She’s smoking a cigarette at cheerleading practice, for example, so clearly she’s edgy. The problem is that Mia has no depth. We never get a glimpse at her past, or at her home life to really understand why she’s so messed up. She is 100% gung-ho about using the Death Note, to the point of threatening Light’s life to convince him to give it to her but it’s never clear why. She’s deeply disturbed and would make for a fascinating character study, but unfortunately she’s used as a side note, only meant to push Light further and further to see how far he’ll go.
My main problem with the film is how easily all of the characters accept the idea of the supernatural being involved in the murders. Light’s cop father wastes no time coming to the conclusion that his son is Kira despite the physical impossibility for him to be so. Even L, with all his grand detective skills, fingers Light early on as the culprit, assuming he has some sort of latent telepathic abilities that allow him to control and kill people.
This wouldn’t be a big deal if the movie established itself as part of a world where this sort of this was commonplace. A few references to some of L’s past cases that document criminals with telepathy or whatnot would go a long way here. From everything we’re shown, however, the viewer has to assume that the film takes place in our world where the laws of physics apply. Yes, Light has a magic book that can kill people but that’s the outlier, not the natural order. If L had been shown to be chasing this book for a decade and realized that it found its way into Light’s hands, his deductions would make sense. But L, from what we’re shown, doesn’t know about the book’s existence and still manages to guess almost every rule. It’s implausible and makes the movie hokey.
I also had a really difficult time figuring out who I should be rooting for. We get why Light has a hard time with life: his mother is killed, her killer buys himself out of a prison sentence, and he has to deal with bullies at school. So when he gets the Death Note and he’s able to turn everything around, his first act is to kill a classmate. It’s a little out there and doesn’t do much to establish himself as a “good guy.” When it comes to L, the guy who is trying to find justice and stop these murders, we never really connect with him. He is so quirky and abstract that it’s hard to find common ground, so despite his intentions, we don’t really care if he wins or not. It isn’t until he suffers a major loss do we see him exhibit any kind of emotion, and by then it’s too late into the film for the audience to really connect with the character.
So who do we root for? The down-on-his-luck killer or the eccentric detective?
Death Note was directed by Adam Wingard, who is best known for V/H/S and for surprising everyone in 2016 with a new Blair Witch movie. I like Wingard as a director but he seemed to miss the mark with Death Note. The movie is remarkably directed and looks fantastic but really suffers from all of the logical and character inconsistencies in the script. I feel like there was definitely the possibility of a good movie, especially given the depth of the source material, but lacked the proper execution.
The cast did a great job with what they were given. Nat Wolff, who played Light, really felt like a lost, angry child, mad at the world for everything that happened to him. Wolff brought a lot of energy and emotion to the role and makes the character likeable despite the terrible things he does. Juxtaposed with that, Lakeith Stanfield as L made a great foil. His delivery as the stoic, brilliant detective drew that divide between the character and the audience, which made it so effective when the character hit his emotional breaking point. As a viewer, I felt his sadness and his rage, and enjoyed the way this emotion mirrored Light’s own, making them two sides of the same coin, of sorts.
Even Margaret Qualley was fantastic as Mia. Though the character has the least depth of the cast, she’s a driving force to the story. Qualley plays the role with a certain coolness, almost emotionless. It makes the audience wonder if our opinion of the character is wrong or if she truly is a sociopath. Which is a great take considering how little backstory we get of the character.
One of the highlights of Death Note, though, was Willem Dafoe as the voice of the demon Ryuk. Dafoe never shows up on screen but he brings life, ironically, to the death demon. His performance is reminiscent of his take on the Green Goblin in 2000’s Spider-Man, which I liked. He added a lot to a character that spends most of the movie shrouded in shadows and gives the audience something to grasp.
A Death Note film like this was a huge undertaking, considering it needed to boil down 37 episodes of the source anime into a 100 minute feature. Despite its missteps, the cast and crew did the best they could, unfortunately that didn’t make for a wholly great finished project. It’s the kind of movie to watch on a lazy weekend, or when you’re home sick hopped up on Nyquil. While it captures the dichotomy of doing bad things for good reasons, it doesn’t really explore those themes and just comes off as a superficial revenge story. Though I really did enjoy the final scene and the open-ended finale, I feel like all I really got out of this movie is the desire to watch the anime in the hopes of finding a good, complete story.