Spring just arrived recently and winter has finally come to a close. So far in 2017 we’ve already seen quite a few great releases, the most recent being the Legend of Zelda machine, the Nintendo Switch, and the release of Mass Effect: Andromeda. As much as I’ve enjoyed Nintendo’s past offerings and felt the nostalgic pull of Zelda and since I’ve never actually played a Mass Effect game, they just weren’t on my list of upcoming things I’m looking forward to. However, on my list are other games, tech, events, and some are just random nerdiness.
In no real particular order, as they say, let’s get some 2017 HYPE!!
I love me a good piece of tech. Who doesn’t really? In my tech arsenal, among other things, I have a smartphone, a tablet, a laptop, and a desktop PC. My smartphone I use all the time and my PC handles everything my smartphone can’t. The tablet and laptop though, I find gather quite a bit of dust. The tablet I only bring out when there’s an app that I would just like on a little bigger screen than my smartphone, and the laptop only when my main PC is down and I still need to perform desktop-like tasks. Those times are far and few between and every time I turn them on they have hundreds of updates waiting.
This is where the Sentio Superbook comes in. Using an Android app that turns the Android OS more desktop-friendly, the Superbook is essentially a laptop shell that uses your smartphone for the processing power. According to the Kickstarter, the Superbook “provides a large screen, keyboard and multi-touch trackpad, 8+ hours of battery, and phone charging capabilities”. Always up to date, and never falls behind your Android’s tech. This I can see completely replacing my tablet, fitting usefully between my phone and desktop.
Release: Pushed back from February until June for initial Kickstarter orders.
Fun fact: I’m an original card-carrying member of the MST3K fan club. I remember having Thanksgiving at my grandmother’s house, eating myself silly, and then relaxing watching the Turkey Day marathon. I didn’t have cable growing up, which is how I’m easily able to live without cable today, but MST3K was a treat. When they announced they were Kickstarting a new season, I legit threw money at my screen. Got myself the t-shirt to match my older MST3K t-shirt, a couple nice prints, a keychain (I think… don’t tell me I’ve already lost it…), and the satisfaction that I’ll be able to watch brand new episodes. To answer your burning question, I think Joel was better than Mike. Fight me.
Release: April 14th, 2017! So close I can taste the movie sign.
I’d like to think that when I game on PC, the games I play are complex and deep. However, I’ve never wanted that complexity on my phone. For mobile gaming I like keeping it light and in small increments, hence why the Switch was never a draw. Cook, Serve, Delicious is quite possibly one of the best mobile games I have ever played. It’s light, tricky, takes a bit of skill, never felt like the phone hardware ever got in the way, and had entertaining graphics to match. You don’t have to play it on mobile, you can play it on other systems, but it shines on mobile. So when they announced CSD 2 at the end of 2016, I was giddy. Giddy.
Release: “Available on Steam and PS4 in 2017“. Not specific, and no mention of mobile, but their alpha trailer was released in Dec 2016, so hopefully soon.
CBS announced in November 2015 that following the 50th anniversary of the original series of Star Trek, and 12 years after the last official Star Trek: Enterprise episode aired, they would be opening a new chapter in the Star Trek Prime universe. Yes, the Kelvin timeline exists, and while I personally really enjoyed Beyond and what the reboot has brought to the series, it’s no Prime Universe goodness.
Set 10 years before Captain Kirk started his famous 5 year mission, they’ve announced the main protagonist will be Lieutenant Commander Rainsford, played by Sonequa Martin-Green, and referenced in the show as “Number One”. Star Trek: Discovery will revolve around the USS Discovery, although they’ve announced casting decisions for a second ship, the Shenzhou, and a number of Klingons. This, and other rumors, hints that the plot may revolve around the Klingon-Federation scrap-up at Donatu V, mentioned in the episode The Trouble with Tribbles which led to a Cold War between the two factions.
The show will initially air in the US on CBS, after with episodes airing on CBS All-Access shortly after. Outside of the US, episodes will air on Netflix. I personally don’t care how they air it, I’m just psyched for new Star Trek!
Release: As of this writing, it appears to have been pushed back until late summer/early fall, with possibilities of being pushed back further. Blech.
If you haven’t yet played Life Is Strange by DontNod Entertainment, by god what are you waiting for?! Go play one of the most fresh and stunning games you’ve ever played! If you have played it, then you probably understand why Vampyr, another game in production by DontNod Entertainment, has me so excited. Action-oriented with a sort of Assassin’s Creed meets the episodic genre vibe, set in 1918 London? Sign me up. I don’t play brand new games often, but with this setting and story potential, I’ll play.
Release: This site is suggesting Q4 2017, maybe just in time for Halloween?
I’m a Disney World nerd. What can I say, I’ve visited the parks quite a few times and each time have had some amazing experiences. Nothing beats having fun all day with family and friends, seeing all the sights, riding the rides, and sitting down for one of the best meals you’ve ever had in your life. Cap it all off with a phenomenal show and fireworks every night you’re there! I wasn’t so much a fan before I met my wife, but now that she has shown me what I was missing, I’m a big fan.
So when Disney makes changes to their parks, which happens all the time, it just makes me excited for the next time that we’ll visit. At this point, it may be a few years before the next trip, but by then hopefully the big EPCOT changes announced at the D23 Expo last November will have come to fruition. When the Chairman, Bob Chapek, tells the Imagineers to “dream big” and to expect a “major transformation,” I’ll lap up any news like I’m dying of thirst. I mean, shoot, they’re adding hanging gondolas to their transportation roster. Gondolas! How cool is that?!
Release: Changes won’t happen for a few years, but hopefully we’ll hear what they will be at the next D23 Expo July 14th-16th 2017.
All the way back in May of 2013, one of computer gaming’s legends, Richard Garriott, started a Kickstarter campaign with his company Portalarium to bring back a “spiritual successor” to one of the most influential game series of all time, Ultima, called Shroud of the Avatar. Since I’m a huge fan of the Ultima games to this day, I backed it to a non-ridiculous degree. To say that it’s been a long journey since the Kickstarter launch is quite an understatement. Like most Kickstarted projects, the feature creep has been quite extreme, to the point that the game still hasn’t been completed yet in full. Posing primarily as an MMO, the features they want to add are story mode with content delivered in episodes, written by Garriott and Tracy Hickman, a single player offline mode, different multiplayer modes, a vast classless character system, PvP, player housing, a crafting-based economy, full guild systems, player owned towns, and all the other accoutrements one would expect with MMOs these days.
As of right now, Shroud of the Avatar is still in a beta state and they stopped issuing character wipes in July of 2016, but still has not officially “launched.” I’m not one to play incomplete games though, so if they don’t consider the first big chapter complete yet, I have no issues waiting. I’ll finally jump in once they start officially calling it “launched.”
Release: 2017, or so the FAQ says.
Near the end of last year, I took the plunge into home automation and bought a Google Home while it was on sale. To say the least, my wife and I have been enjoying it quite thoroughly. I quickly discovered that home automation is a deep rabbit hole, with Google Home itself being the gateway drug. It started with one Google Home, then a second, and then a Chromecast Audio to sync all of the speakers together to form a whole-house audio system. A Philips Hue starter kit later and we had voice-controllable lights. Ten more bulbs later and we rarely touch our lightswitches anymore.
We bought it early on in its development because we expected more functionality to come, and so far they haven’t disappointed. More, though… we want more.
Release: Ongoing, since Google Home has already been released in 2016.
If you’ve never heard of the quirky podcast Welcome to Night Vale, you are sorely missing out. Based around the community radio station of a fictional, and quite strange, desert town located somewhere in the southwestern US, Welcome to Night Vale has been chronicling the town’s oft-bizarre happenings since June of 2012.
In 2015, WTNV’s creators Joseph Fink and Jeffrey Cranor released their first novel, Welcome to Night Vale, based on the town. More heartfelt and personal than I was expecting, I enjoyed it, so I was excited when during the episode “After 3327,” they announced a second novel! Finally, around mid-March they announced the title and a release date of October 17th, 2017.
Finally, the last thing I’m excited about for 2017 is the “relaunch” of the MMO The Secret World, a personal favorite game of mine. The news of Funcom’s plans to relaunch it’s 5-year-old title came as a bit of a surprise, having been “announced” on Funcom’s 4th Quarter 2016 financial reports. Boasting changes from a redesigned new player experience, a “major improvement” to gameplay and combat, new player retention systems, and changes to the game’s business model, a lot of players are simultaneously nervous and excited for the upcoming changes. Funcom’s community team has been silent on the subject, focusing first on PAX East and Conan Exiles before making any big announcements about The Secret World.
Release: We’ll most likely hear more about the relaunch by the end of March, and see some changes before the end of June.
If a tree falls in a forest, and a mythological gigantic ape picks it up to use it as a weapon, does it make a sound? Yes, that sound is me in the theater audibly uttering “wow” through a giddy smile. This is the true test Kong: Skull Island has to pass or fail. Could it not only entertain but “wow” audiences with its spectacle? Fortunately, it unquestionably amazes with its stunningly-crafted CG and scale, but it’s at the expense of smooth dialogue and strong characters.
In the latest Kong retelling, the story is as thin as you’d expect, since the emphasis is on the origins of these monsters. As the Vietnam war comes to an end, a group of determined scientists implores the government to send a military escort with them to an undiscovered island. Along the way, said scientists hire a tracker (Tom Hiddleston). Separately, a photographer tags along (Brie Larson). The plot broken down in a sentence is essentially “some dummies go to Kong’s island to study things.” I’m never a fan of being reductive, but a film isn’t supposed to make it so easy to do. Regardless, I suppose that’s not why we eagerly watch these types of popcorn blockbusters.
Commendably, Warner Bros. Pictures employs one of the strongest ensemble casts you’ll see in a movie all year. Hiddleston, recent Oscar winner Larson, Samuel L. Jackson, John Goodman, John C. Reilly, Toby Kebbell, Shea Whigham, Thomas Mann, and Jing Tian star, to name a few. The film also features a Straight Outta Compton reunion with cast members Jason Mitchell (Easy E) and Corey Hawkins (Dr. Dre). The casting aspect alone held so much promise on paper, but this potential felt largely squandered.
Sam Jackson and John C. Reilly are clearly taking liberties and enjoying it in their respective roles, but everyone else is strikingly forgettable. There’s attempted interplay between a couple of the marines that ultimately falls flat. Heavy-hitting actors Hiddleston and Larson are simply present to be a conduit of plot details for us, the audience. Most of what they do while on camera is react with the best surprised expression they can muster. Sure, the two have distinct occupations but it’s merely an excuse to carry them into this dangerous adventure. Not to mention, Hiddleston’s James Conrad did very little tracking at all. As far as definitive personality traits, I didn’t notice any from Hiddleston, Larson, or the many other expendable individuals.
As I touched on, Reilly and Jackson are a blast to watch as they chew up their scenery. Whether improvised or purposefully written, the jokes never seem to land pre-Reilly. Like he does in his prior comedic work, he has a natural delivery and general presence that inspires laughter. Jackson as Colonel Packard recited some insane lines in the vein of a cheesy ’90s action villain with such hilarious conviction. The duo was nothing short of a joy to see perform.
We have to praise the real star of the show: Kong. Everything about him in Skull Island exceeded my expectations. If your primary complaint of 2014’s Godzilla was “where’d that enlarged lizard thing go?,” prepare to be satisfied. Kong appears in the first 3 minutes, and they don’t hold back as a means to build tension (which I personally appreciated in the latest Godzilla effort). At times, he’s spotted merely walking around the island, and every frame he occupies feels majestic. Terry Notary put forth a tremendous motion-capture effort that added a surprising amount of nuanced personality to the familiar beast. More than that, Kong is written with a layer of ingenuity. In his several oversized-creature battles, he uses his surroundings and tools he might spot at random to their full potential to aid him in bringing down his enemies. Kong himself should satisfy the majority of moviegoers.
Another facet I appreciated from the picture was director Jordan Vogt-Roberts‘ work behind the camera. There are plenty of carefully constructed frames with a remarkable colorful concoctions. After the movie rushes past certain crudely-written scenes with one-dimensional supporting characters, Vogt-Roberts squeezes in intricately vibrant set pieces. Whether it’s a fast-paced action sequence involving an abundance of fire or Kong purely looking at a sunrise, he shows off his knack for capturing the beautiful production design in a visually-palpable way. Unfortunately, he’s not given many opportunities to display these skills on more than a couple occasions.
I may have levied quite a few criticisms against this flick. Nevertheless, a visit to the theater to see Kong: Skull Island on the silver screen is a good investment. If you expected occasional astounding visuals and fantastic monster fights, then Skull Island will distribute that in spades. Anticipating tangible character development and dialogue that doesn’t make you cringe is simply too much to ask. While we always prefer a satisfying mixture of both, Kong is still an enjoyable (literal) giant blockbuster. Also, don’t forget to remain seated for a post-credits tease. You’ll start to see how the larger Warner Bros. MonsterVerse starts to connect, and it’s very exciting.
If you live for the noisy blockbusters Hollywood releases every year, 2016 wasn’t a victory. Zoolander 2, Independence Day Resurgence, and even Jason Bourne disappointed audiences. However, in the independent (or indie) landscape, the cinema thrived. If you live in this layer of lower-budgeted film, you found original, thought-provoking, visually-pleasing stories like I did. In fact, there were so many winning 2016 indie films, I have conjured up several acknowledgements outside of my top 10.
To avoid bogging down this list with even more thorough explanations, I’ll list each 2016 indie films mention with an accompanying sentence. If you’re a fan of yucking it up at the theaters, the relatable coming-of-age teen comedy The Edge of Seventeen delivers huge. Also, comedian Mike Birbiglia steps behind the camera again for another honest and funny outing with Don’t Think Twice.
If you yearn for the unconventional approaches, The Lobster will quench that desire and then some. Director Ben Wheatley contributes a bizarre but compelling story about an apartment building gone to hell with High-Rise. The Eyes of My Mother will discomfort you but penetrate your every thought after you see it with its interesting serial killer origin tale. Always Shine throws plenty of psychologically thrilling elements at you to stick with you as well.
For those that have sappy hearts like me, the family dramedy Captain Fantastic and the romantic, reminiscing-on-old-love flick Blue Jay hit you deep in your feels. Winding down these 2016 indie films selections is an unflinching study of alcoholism in the gorgeous Krisha. Lastly, Goat shows an unpleasant side of college fraternity hell week that can’t go ignored. With those stellar titles out of the way, here’s my 10 favorite 2016 indie films!
10. Hunt for the Wilderpeople
The first movie comes from the same director as 2015’s hilarious What We Do in the Shadows. This time, writer/director Taika Waititi pursues an adventure-driven dramedy feel and sticks the landing. With Sam Neill and newcomer Julian Dennison leading the picture, nailing the tone appeared to come easy. The 2 leads have a palpable chemistry that evolves as the film proceeds. If you’re searching for laughs and heart in a film, Hunt for the Wilderpeople has an abundance of both.
9. The Invitation
The Invitation came out of nowhere, more so than any other previous or forthcoming pick. Out of these 2016 indie films, this picture is the most pulse-pounding and uncomfortable to watch. This is not due to overuse of gore, but just pure atmosphere, which director Karyn Kusama immaculately creates. More than being a horror-thriller, The Invitation serves as a study in grief and how one copes with loss, similar to Kubo & the Two Strings but much darker and with more adult-geared themes. The movie is available now to stream on Netflix, so I implore you to see what the fuss is about while it’s there.
8. Green Room
While The Invitation is uncomfortable to watch for its atmosphere, Green Room makes you squirm through its unexpected, real-feeling violence. Writer/director Jeremy Saulnier hits yet another home run here, with his first being a revenge-driven movie, Blue Ruin. Here, Saulnier manages to round out a more recognizable cast with the late Anton Yelchin and the surprisingly-creepy Patrick Stewart. The violence doesn’t exist simply to evoke unease though. Its purpose is shown through how it drastically affects our protagonists. I’m eager to dive into spoilers to further justify this film’s placement, but I’ll stop myself to recommend you catch this streaming on Amazon Prime now.
7. The Handmaiden
Director Park Chan-wook can frankly do no wrong in my eyes. He continues to live up to this with The Handmaiden, an erotic, thriller that shifts perspectives and makes you second guess what you’re watching at every possible chance. The story occurs in Japanese-controlled Korea, where a con man attempts to marry an heiress to steal her fortune. That’s the biggest oversimplification of a film that features such layered complexities, one after another. Like all of Chan-wook’s movies, this demands to be seen for one’s full appreciation. A fair warning though: at some point, this features the director’s propensity for odd, gross-out moments. Like his prior works though, those moments are absolutely earned.
6. Southside With You
For me, Southside With You was the largest surprise of the year. A movie about Barack and Michelle’s first date didn’t sound necessary or appealing. If anything, Southside had giant potential for failure. However, thanks to the brilliant casting and compelling dialogue, we instead received one of the best romance movies in the last decade or so. I have a fondness for films that opt to tell their story in a single day, and do it well. Not only that, through its writing, we’re shown many differing yet very valid perspectives on the racial climate, the business world, and the importance of community. Even if you’re not politically aligned with the subjects of Southside, you’ll still come out enjoying it.
Goodness, Jackie is a beautiful film to behold. Every frame is meticulously crafted like a painting. All credit can be given to director Pablo Lorrain for captivating me so successfully and effortlessly. In addition to the enthralling sights, Natalie Portman puts in another award-worthy performance in her career as Jackie Kennedy Onassis as she experiences the single hardest moment of her life. Then there’s a whole underlying conversation the movie makes about politics bleeding its way into every facet of life, even something as personal as facing a devastating loss. Instead of grieving in private, every action you take is endlessly scrutinized. Considering this, Jackie is a feast for all the senses.
4. Sing Street
I admit the placement of Sing Street is based on its personal connection to my life. In high school, I studied guitar and songwriting in every free second I had. Granted, I didn’t start that venture to “get the girl” like Conor does in this film. Nevertheless, the seemingly never-ending stream of failures after taking multiple risks is a familiar feeling that resonated with me on a large scale after my first viewing.
Director John Carney, who tackled one of my favorite musicals to ever exist titled Once, concocts one of the best coming-of-age movies of the 2010s. With the relatability comes an incredibly infectious original soundtrack. “Drive It Like You Stole It” still seeps into my brain randomly, and I saw this film more than 8 months ago. Sing Street just hit Netflix’s streaming platform, so I implore you to watch this and get some unadulterated joy in your life.
3. Hell or High Water
Sicario scribe Taylor Sheridan yet again knocks it out of the park with 2016’s Hell or High Water. As far as 2016 indie films go, an argument could be made for this title at #1. Not only is High Water the best written movie of 2016, it has one of the best performances of Jeff Bridges‘ entire career. Ben Foster shines and continues to show how Hollywood is simply out of excuses as to why he’s not a consistent leading man. Story-wise, you’re left with clammy hands and tense feelings up until the end credits. Even though this was a summer movie, there’s still consistent awards talk for this picture and it’s entirely justified.
Once again, we have another of these 2016 indie films that could be argued into the top position. Director Barry Jenkins carefully creates one of the most perfectly directed, affecting movies of the year in Moonlight. Mahershala Ali turns in a quiet performance that’ll evoke so many emotions from you. The emotional moments are endless though and rather subtle. However understated the film is as a whole, it doesn’t detract from its importance and its engaging themes that will connect with everyone universally. If you’re looking for an underdog to take the Best Picture award at the Oscars, Moonlight is it.
1. Manchester by the Sea
The giant gut-punch of a reveal and the breathtaking, touching performances seen in Manchester by the Sea elevate the movie into “best drama of the 2010s” status for me. Paired with writer/director Kenneth Lonergan‘s distinct vision, you have Casey Affleck offering up his career best, and Michelle Williams‘ vulnerability breaking us to tears. Although spoilers will help explain why Manchester is so highly regarded on my top 10 2016 indies films list, it’s imperative you experience this ride for yourself. With the movie occurring in Boston, the coarse language divvies out much of the humor, especially when our protagonists are placed in awkward encounters. I assure you it’s not all downtrodden misery, and it’s not just a performance-driven piece. Yes, heartache is very present, but these are characters you ultimately root for and identify with in meaningful ways.
If these heavy-lifting, fascinating, inventive dramas are indicative of anything, it’s that the state of cinema is healthy. With an eye to 2017, we have plenty of more promising blockbusters to anticipate like a new Christopher Nolan film, another Blade Runner film, and of course another Star Wars episode. It may be harder for indies to eclipse those pictures in quality or excitement levels, but like 2016, the gems will be there if you seek them out.
It’s unfortunate that we rarely receive honest, hilarious, relatable coming-of-age films nowadays. Luckily, when films like The Edge of Seventeen come along, they get the deserved attention. Seventeen has a familiar premise, but thanks to writer/director Kelly Fremon Craig‘s perspective, it conversely has a fresh approach. Because of the strong writing and performances, Seventeen lives in a class among the best like Mean Girls, Clueless, and Easy A.
To summarize, The Edge of Seventeen follows awkward high school student Nadine (Hailee Steinfeld) as she tries to create a social life for herself. Her best friend Krista (Haley Lu Richardson) starts dating her older brother (Blake Jenner), which drives a rift between the three. In the interim, Nadine befriends a more-awkward, show-stealing kid named Erwin (Hayden Szeto). She also seeks occasional advice from unconventional, crass teacher Mr. Bruner (Woody Harrelson).
As you read through my synopsis, you should recognize certain plot aspects. We’ve seen an uncomfortable teenager flounder through adolescence on film before. The witty, sometimes-rude teacher isn’t a new idea. The unassuming romance is definitely a trope in teen movies. However, the originality in dialogue and unique traits Nadine, Erwin, and Mr. Bruner possess elevate the film.
To obtain some appreciation for The Edge of Seventeen, I implore you to watch the hilarious red band trailer above. The charming, vulgar humor is immediately apparent and appreciated. This isn’t just true for the trailer, but for the entire feature. In the vein of Superbad, kids curse, and curse often in reality, but in Seventeen, conversations feel more realistic. Instead of aiming for the best gut-busting one-liner, the comedy flick opts for believability in its word choices.
Although the laughs are plentiful at the start, the final third act attempts to be poignant. While Nadine’s arc feels fulfilling, the resolution feels rather predictable and sudden. If you’ve seen one teen movie and watch The Edge of Seventeen trailer, you can guess the film’s ending easily. However, I feel the writing short-changes a particular character on closure that the audience would have welcomed. Regardless, the first two-thirds of the movie balance witty humor and character depth to cover for any finale weaknesses.
Backtracking to the performances, The Edge of Seventeen can certainly brag about its central cast. Hailee Steinfeld’s effortless skills would take years for any other actor to master. Woody Harrelson is impeccably utilized as the charismatic, sometimes-crude teacher. The star-making performance ultimately belongs to Hayden Szeto as Erwin Kim. He’s a love interest unlike any other in the teen comedy/coming-of-age genre. He acts so convincingly uncomfortable in his own body when trying to speak to Nadine. In every nervous twitch and stutter, I saw so much of my adolescent self in Erwin Kim. That earns the timid kid a spot as one of my favorite teen comedy characters to ever exist.
While the central cast’s performances are a bright enough highlight to drown out any criticisms, said criticisms still remain among the supporting cast. Kyra Sedgwick as Nadine’s eccentric mother, Mona, feels slightly mishandled. I’m unsure how the regular moviegoing audience will feel, but I yearned for more meaningful interactions between Nadine and Mona. Also, unfortunately Blake Jenner as Nadine’s older brother Darian simply couldn’t measure up to Hailee’s acting prowess when necessary. Haley Lu Richardson as Nadine’s best friend Krista eventually became moving background furniture after the first half of the movie. At times, I needed reminding that Nadine and Krista were even best friends.
While the supporting performances felt shallow for me, most of that fell on the writing of those characters instead of the actors themselves. The Edge of Seventeen definitely shows Kelly Fremon Craig’s endless potential as a writer, producer, and director, even if some areas could use improvement. Nonetheless, where Seventeen thrives is Craig’s grasp on the principal characters’ identities, the comedic timing, and the fluid pacing. Objections aside, the great outweighs the mediocre or questionable, which can 100% be attributed to Craig’s work.
Speaking overall, if you want a memorable cinematic experience to Mean Girls or Easy A (but R-rated), The Edge of Seventeen is absolutely for you. Prepare yourself for more gravitas behind its emotional moments than most of your standard teen comedies. What you’ll remember most though is the unique, charming, and relatable characters, and the unexpected laughs they bring.
The first trailer guarantees that Doctor Strange will be visually and cinematically unlike any other Marvel movie. You sense that Marvel Studios‘ latest will give basically Inception on steroids. While Strange‘s unique architecture was never in doubt, “will it have the typical Marvel charm?” was the question on everyone’s lips. Fortunately, likely thanks to renowned comedy writer Dan Harmon‘s rewrites, the most recent Marvel Cinematic Universe entry delivers in almost every regard.
We’ll definitely arrive at why I said “almost,” but first, many movie-only fans likely need some background. Doctor Strange follows the appropriately-named Dr. Steven Strange, a very stubborn, hot-shot neurosurgeon. He’s not a very likable or charming individual; traits that leading man Benedict Cumberbatch has fun with on-screen. However, as with most every origin story, his fortunes don’t last after a devastating car accident badly damages his skilled hands.
Desperate to reattain his status for his damaged ego’s sake, he treks out to a temple in Nepal to learn the mystical arts. As expected, the pompous Strange laughs off the very idea of “magic,” but the Ancient One quickly resolves his skepticism, otherwise, there wouldn’t be much of a movie. As Strange hones his otherworldly skills, he discovers the massive responsibility his newfound friends carry on their shoulders. This leads Strange to an intriguing moral dilemma of choosing to fight for others or only himself.
As with all reviews, I aim to remain spoiler-free. Unfortunately, many things I adore from Doctor Strange involve spoilers, but I’ll tread carefully. Firstly, director Scott Derrickson and the writers utilize the cast to perfection. Cumberbatch carries the film effortlessly, but you also have supporting players turning in memorable performances. Understandable controversies aside, Tilda Swinton brings an elegance, mystique, and toughness as the Ancient One. Chiwetel Ejiofor surprises as Karl Mordo with a few impassioned speeches. Benedict Wong shines as the hilariously stone-faced (and coincidentally-named) Wong. Although not exploited to her full potential, Rachel McAdams as Christine Palmer is a fantastic addition as well.
To accompany the acting gravitas, Derrickson constructs the most impressive, innovative visuals from any Marvel title on any medium. The thrilling opening sequence whets the appetite, and the movie efficiently builds upon that. We’re shown a psychedelic sequence that could be this generation’s 2001: A Space Odyssey stargate scene. As seen in the trailers, there’s also a mind-bending foot chase where buildings and roads are upside down or sideways or inside each other. With the mystical rules having been thoroughly explained throughout the film, these set pieces are immensely gratifying.
As for these aforementioned “rules” of Doctor Strange‘s universe, I truly appreciated how fresh Marvel’s introduction to magic felt. You’ll see lived-in dimensions, ancient artifacts with a rich history, and an expansive library. There may be times where the audience will want to ask the movie to “slow down.” The filmmaker throws a potential overload of information at you. However, hearing the Ancient One’s musings such as “not everything makes sense; not everything has to,” the film successfully reminds you to turn off your brain, forget about the science behind the magic, and enjoy the ride.
Now I disclose why I earlier claimed Doctor Strange to “almost” deliver in every regard. Unfortunately, the Marvel villain conundrum continues. Mads Mikkelsen plays Kaecilius, and turns in a portrayal that’s nothing or less than “fine.” The most frustrating part is his lack of clear motivations. He monologues to Strange about his devious intentions (which don’t really seem that devious), but the “why” is entirely avoided. There are effective efforts to tease future villains that do have more depth, but it’s at the sacrifice of the current villain’s arc.
Also, I’ve spotted a few articles mentioning how Marvel movies not named The Avengers have forgettable musical scores. After hearing the Michael Giacchino presided over the musical arrangement, I was ready to lay those sentiments to rest. I gained confidence after listening to the end credits music released a few weeks ago. Yet throughout the film, I didn’t even notice the music as anything more than ambient noise. Yes, you don’t want the melodies to distract from the motion picture, but the musician in me clamored for something of literal and figurative note.
Luckily, none of these criticisms ruined how tremendous Doctor Strange was as a whole. I’ll never forget feeling that ultimate high after leaving the theater, having seen Marvel’s most inventive, creative entry yet. There are enough Easter eggs and name-drops peppered throughout to justify revisiting the movie often. As a bonus, this movie’s mid and end credits scenes possess heavy implications to Marvel’s future titles too. Most importantly, Strange has the familiar well-timed humor and joyous fun you’re looking for. The Doctor is in.
Nan Desu Kan was an incredible experience to break into the Rocky Mountain nerd scene. It was not as large as I was used to but with a smaller crowd came a good amount of event control. The convention was organized and had plenty of helpful staff members that didn’t seem overly stressed by the chaos that comes with an overpopulated event. If you’re ever in town during this event, I highly recommend checking it out.
I attended Nan Desu Kan on Saturday where it seemed like the most was going on. Picking up tickets is always the stuff of nightmares at these things. Thankfully there was several staff members that helped kept the lines organized and moving quickly. In no time I had my badge, the event itinerary, and was on my way with no frustrations.
Coming up to the Sheraton in downtown Denver had me excited as I saw the flood of costume wearing attendees walking back and forth between the Hotel, where the Dealers Rooms, Video Game and Board Game Area are located, as well as to the event center where the Viewing Rooms, Art Gallery, and Main Event Stage are all located. Not knowing a lot of the new anime, a lot of the cosplay was lost on me but that says nothing to the quality that was on display. People take the dressing up aspect seriously here and there were many creative costumes that had me gawking whether I knew the source material or not. Easily the most ambitious costume I saw was The Legend of Zelda Mask Salesman.
I spent the first few hours exploring both buildings and every nook and cranny. In my travels I found a model making room, where many Gundams were not only for sale, but being constructed by some real pros. Some of their previous builds were on display and it made me recall all the ones I built in the past. Heck it even inspired me to take an unopened one out from the closet and start it up that very evening!
The Art that was at the convention was incredible. There were plenty of pieces at good prices that ran from video games to a magnitude of different anime pieces. If you wanted to spend a little more there was a charity gallery where all profits went to charity. Speaking of spending money, the Dealers Room was a pretty decent size with so many knickknacks and swag that my palms were sweating. It took everything in me to keep my wallet firmly in my pocket and not spend outrageous amounts of items that would add to my already nerdy domain (talking about my room people).
the hardest thing to walk away from was a booth in the Dealers Room with so many Metal Gear Solid Play Arts Kia figures that I felt woozy from just the sheer amount of them on display. These figures go out of print so quickly yet here was a few complete collections on sale. I swiftly ran out of there with my wallet intact.
The viewing rooms for their 24/7 anime screens were smaller but were showing some pretty cool newer shows. I got to sit in on the first three episodes of the new Berserk series. As a longtime fan of the series I was very happy to finally get to see this reboot. These conventions have a way of reminding me that there is plenty of great and new Anime out there, I just need to find it and be open to suggestion. A good example is One Punch Man was huge at the convention this year. So of course Saturday night I spent my time binging that show which was time well spent. If it weren’t for attending this convention I may have not been bitten by that Anime viewing bug again.
The Game Room called to me. I am always obligated to check out anything board or video game. While the board game area was not very large, nor was nothing on sale, the area was very populated. You could sit at a table, rent a game for a couple hours and really make an afternoon out of a variety of designer board games. We didn’t spend much time here because the siren call of Dance Dance Revolution machines and other rhythm based games screeched from a nearby room.
I make haste towards the sounds and enter into a good sized area with free to play arcade rhythm based machines. I danced a few songs on the Pump it Up machine, headed over for a round of Dance Dance Revolution, played some drum game by Konami, and a few other machines I had never even heard of. Across the way were consoles loaded with fighting games such as Guilty Gear and Super Smash Bros. If I were in fighting shape I would have schooled some people in Smash but alas, I did not want to make a fool out of myself after being so out of practice.
We wrapped up the day by attending the Anime Music Video Contest in the Main Event Hall. Man these all brought me back. 3 hours of finalist videos that were all edited and synced up to music to perfection. I used to love digesting these back in the days of the early internet. I am talking Linkin Park, In the End with DBZ scenes focused on Vegeta type of stuff. That was OG to me. Here we had many standouts from Queens, Don’t top Me Now with a focus on One Punch Man, and even a hysterical Linkin Park, Crawling rendition that focused on the crappy animation of the new Dragon Ball Super. The whole room was invested and cheering along with the best videos, it was awesome to be a part of.
My time at Nan Desu Kan was well spent but very little. One full day is just a drop in the bucket for an experience like this. Next year I will prepare to do it the right way, with a room, a full weekend, and a costume. I love going to anime conventions, but lately some of the bigger ones have been so draining it leans on the side of draining more than fun. Nan Desu Kan is still in that sweet spot of size, control, and organization and it lead to an excellent time. Walking the floors and seeing all the costumes were the highlights for sure. I cannot wait until rocky mountain’s biggest Anime convention next year, and I hope to see some of you there!