VIZ Media delivers one hell of a digital manga update for November that features a wide variety of new series launches and digital exclusives. Several manga bundles are also offered this month, as well as a special 24-hour Cyber-Monday sale planned for November 30th.
Fans of Tsugumi Ohba and Takeshi Obata (Death Note, Bakuman) will not want to miss the launch of Platinum End, their brand new series, offered as a digital exclusive from the VIZ Manga app, VIZManga.com, the WEEKLY SHONEN JUMP app, shonenjump.viz.com, and also from ComiXology! Chapter 1 is available now for only $0.99, with new chapters of the series releasing monthly, simultaneous with Japan!
Other new manga titles launching this month include Arina Tanemura’s latest shoujo series, Idol Dreams, and the Shounen Jump fiction novel release of Naruto: Kakashi’s Story.
So what can you expect from these stories?
Well, Platinum End is a dark story of humans and angels. Mirai is a boy who has lost hope in the future. Can a fateful meeting with an angel turn his life around, or will he be plunged into further despair?
Famed shoujo manga creator Arina Tanemura (Full Moon wo Sagashite) is also releasing Idol Dreams! At age 31, office worker Chikage Deguchi feels she missed her chances at love and success. When word gets out that she’s a virgin, Chikage is humiliated and wishes she could return to the time when she was still young and popular. She takes an experimental drug that changes her appearance back to when she was 15. Now Chikage is determined to pursue everything she missed out on all those years ago—including becoming a star!
We’ve all been jonesing for just a little more from the Naruto world, and with this new fiction novel, featuring artwork by creator Masashi Kishimoto, a year has passed since the Fourth Great Ninja War, and Kakashi’s appointment as Hokage looms. But first he heads to the Land of Waves for a dangerous mission rescuing hostages from a top-secret airship. There he confronts a ninja whose heart is frozen by tragedy. Having lost both his friend’s eye and his greatest abilities, can Kakashi protect anyone from his coldhearted foe? What is the true meaning of the Will of Fire gained in the distant heavens? Kakashi finds these answers and more as he enters a new ninja era.
Personally, I’m emotionally invested in all three, but I’m also addicted to manga!
Leia Calderon
Editor
@ladyvader99
As New York Comic Con gets bigger and bigger, it becomes impossible to take it all in, and no matter how well we plan for it, inevitably things don’t work out. Here is our breakdown of one of the fastest going conventions in the United States.
Thursday goals included attending the 88MPH: A Celebration of Back to the Future, a panel about DC Comics imprint Vertigo’s new #1s, attempting to get into the Viz Media/Musashi Kishimoto panel, and finishing out the day at MootCon4 to talk to people about the Game of Theories webseries. While not an entirely adventurous schedule, the sheer amount of people made it impossible to navigate the exhibit hall (or the smaller, craft/creator filled area called The Block) in a timely manner. New York Comic Con was wall to wall cosplayers in different Doc & Marty costumes (and a TON of Rick & Morty costumes as well), some so well done, several double takes were needed to make sure we didn’t accidentally walk by Christopher Lloyd himself. We had to slowly step our way to the Image booth where we met up with comic creator Ivan Brandon for a scheduled interview, before attempting to make headway toward the Funko booth, hoping to get our eyeballs on some of those exclusives! There were many promotional life-size POP! figures to promote the upcoming Smuggler’s Bounty, and it was difficult to tear ourselves away and re-evaluate our plan as the hour grew late. It was here our paths split, with Tushar checking out the Games and Education panel, Kaitlyn calling it a day, and Leia preparing for a long evening of line waiting to spend an hour in the same room as Naruto creator Masashi Kishimoto, before preparing for day two.
As the weekend progressed, we saw the floors even MORE packed than before and our weary correspondents loaded up their schedule with panels. First, however, Kaitlyn and Leia wandered over to the Audible booth to try out the immersive Locke & Key experience via Oculus Rift, before an interview with Sean Lewis and Benjamin Mackey, newbies in the comic industry. Artist Alley was a sight to behold this year, with greedy fingers reaching for art prints on our way to interview Justin Jordan, and get some stuff signed.
Now despite the name “New York Comic Con,” non-comic media, like television, was there in force too. The folks at Adult Swim were up to their old tricks again with roundtables for Venture Bros, Robot Chicken, and the new miniseries airing soon, Neon Joe, Werewolf Hunter. (You can check out our preview at Adult Swim at NYCC – Neon Joe, Werewolf Hunter). Getting to meet TV personalities like Jon Glaser, Stephanie March, Breckin Meyer and the crazy duo of Doc Hammer and Jackson Publick went exactly as we thought it would go. Antics upon hijinks upon gut busting laughter. It was tough to get through the whole thing without addressing Stephanie March as anything other than “Assistant District Attorney Alexandra Cabot,” but ultimately composure was kept and we found that she, along with the rest of the Adult Swim actor corps, were super cool and friendly people.
TV wasn’t the only non-comic media to make a splash this year. Video games made their presence felt too. If you had (like we did) a bit of trouble getting through the main entrance to the con floor because of a pure sea of concentrated humanity, you were probably going by the Capcom booth. Lining the booth was an army of Street Fighter enthusiasts, and it WAS possible (but not probable) to slither your way in to get a crack at seeing some gameplay from Street Fighter V. The game played faster than its predecessor Street Fighter IV, and you could see some of the classic cast like Karin making their return from the Alpha/Zero series of Street Fighter games. There was a tournament going on as well, so there was always the chance that if you went in to get schooled, it would be public on a lot of large screens.
Square-Enix decided to take the quieter route and had a media suite set up a Shop Studios, just a couple blocks away from the Javits Center. It was nice to get away from the bustle of the con floor for guided demos of their games to small groups of people, and the fact that they fed us definitely did not hurt the experience. Making the rounds through Shop Studios we saw the upcoming Deus Ex: Mankind Divided (check out our preview here), Hitman, Just Cause 3, and the finale to Life Is Strange with Episode 5. The biggest and friendliest surprise though was that Lara Croft: GO wasn’t the only appearance our girl Lara Croft made that day. The full playable demo of Rise of the Tomb Raider looked and played absolutely great.
The Star Wars franchise decided to take an in between approach, setting up their Star Wars Battle Pods outside of the con floor but still inside the Javits Center, making it easy to get to and a beacon of the force as people entered the building. The battle pods let you take command of a few different vehicles from the Star Wars universe, from going on a Death Star bombing run in an X-Wing to trying to hang on for dear life on a speedbike on Endor. Either way, the ride was complete with vibration and pod shakes that one would presumably feel taking your X-wing out of the hangar.
Our last day was spent tying up loose ends, such as taking photos of the creepiest cosplay we could find, picking up more stuff to give away to you guys, and making our last stop at the phenomenal Women of Marvel panel, before shambling off home.
Be sure to check out our other convention coverage and we hope to see you guys in the future! We can’t wait for next year, and leave you with this awesome cosplay video from our friends, SneakyZebra.
In case you haven’t already, don’t forget that we are giving away a bunch of stuff for those of you who didn’t get to attend! Enter below.
The second it was announced that the creator of Naruto, Masashi Kishimoto, would be making his first ever appearance at this year’s New York Comic Con (and the United States), I made a silent promise to myself that come hell or high water, I would attend. Naruto is one of those iconic manga epics, with over 70 volumes and a slew of movies that supplement the equally lengthy anime, and as I queued up with fellow fans, it struck me just how popular the series is.
Once seated and weirdly serenaded by a techno version of the Spongebob Squarepants theme song, the panel moderator welcomed Viz Media’s President and CEO, Ken Sasaki to the stage, where he regaled us with the impressive selling power of Naruto (220 million copies, bringing it to the third highest-selling manga of all time). It wasn’t long before the crowd got antsy, however, and with a thunderous roar of welcome, I laid eyes on the creator of one of my all-time favorite properties.
He politely bowed to the crowd before settling in and pleasantly chatting away in response to the questions put forth by the moderator. Things I learned from this panel included:
- At no point in time did he ever imagine Naruto would get to 72 volumes, in fact, he thought it’d be canceled 10 weeks in (something that is a common happening in the world of manga).
- When asked if there was pressure to keep the story going, he laughed, but admitted that he put his foot down on ending it, since he knew how he how to end the story. Everything about Naruto and Sasuke’s reconciliation in the Valley in front of the hokage statues was something that was in his head early on.
- While he was finally able to get married, relax, and watch his kids grow, he still hasn’t had the time to go on a proper honeymooon!
- At this point, discussion turned to his “rival,” One Piece creator, Eiichiro Oda. Kishimoto had a good natured laugh talking about how often they would cross each other’s path and their long standing friendly competition. When he told Oda he was ending Naruto, he said it felt like he may have inspired him to create an ending for One Piece.
- Kishimoto first realized Naruto got big when he started receiving fanmail in languages he couldn’t read. The reality of its reach sunk in when he got a hold of YouTube and took in the passion of fans over the internet, especially when he saw people cosplay his characters for the first time. At this point, he grinned and announced he just realized that the crowd was full of cosplayers, to whom he apologized for designing complex costumes for his characters.
- As a young person, he enjoyed and drew inspiration from manga like Monster, 20th Century Boys, Phoenix, and Slam Dunk, so it was always a goal to succeed in the serialized magazine, Shounen Jump.
- Our moderator then stated that in America, Shounen Jump launched with what he described as the American Golden Age in manga, with Naruto alongside chapters of Bleach, Dragonball Z, and of course, One Piece. Kishimoto humbly expressed how happy and embarrassed it made him for his work to be referred to as part of the Golden Age.
As a treat, we even got to watch his sketch two pieces LIVE, one of his title character, and one of the character Jiraiya, using a cosplayer in the crowd as his model!
Kishimoto finally got to talk about Boruto. It was the first movie he got to work on from beginning to end in order to bring his work to life for the last time. Viz was even kind enough to screen the trailer, after hearing cheers from the enthusiastic crowd, myself included. Boruto, an epilogue of sorts, will follow Naruto’s son, who is a chip off the old block.
Once there wasn’t a dry eye in the house, Kishimoto was asked if he had a closing statement, which he did:
“I heard that there were many fans who weren’t able to make it today and to hear that after seeing how many people are already here, you know, this is just a little title that I started working on many years ago without ever thinking about any effect it might have, much less a following! All I can say is to know how many of you, how many fans love my work, that follow my work. It’s just, it’s so faithful. The only thing I can even think of saying is THANK YOU.”
In response, all I can say is: No. Thank YOU, Kishimoto-san. I’m nearly thirty years old, and it was your work, your acute ability to make a girl from Texas, half a world away from Japan, fall in love with manga for the first time at 15, and for that, I really am eternally grateful to have fallen in love with Naruto and his story.